The nostalgic part of this review will pretty much nearly non-existent. Even though this movie was part of my childhood (I was 11 when it hit theaters) I never saw it in a theater or when it aired on cable. I knew of the movie and even had a friend in grade school that saw it but I have no memory of him specifically telling me about it. I only caught up with the movie a few years ago when I bought the DVD. I have a vague notion, though, I may have seen it prior to that DVD purchase but again no concrete memory comes to mind. So there you have it, my near non-existent nostalgic portion Used Cars.
Growing up a giant, fire-breathing Japanese turtle by the name of Gamera became just as an important influence on me as his more famous giant, atomic-breathing Japanese cousin, Godzilla.
It was back when we used to get the WPIX channel from New York over here in Massachusetts, and they had this thing they used to run called ‘The 4:30 Movie.’ If you go on DVD Drive-In’s website there’s a page devoted to ‘The 4:30 Movie’ with a list of movies (with dates) that were aired. My first Gamera movie was War Of The Monsters (1966, aka Gamera Vs. Barugon) and according to DVD Drive-In it aired on Friday, January 11, 1974 during “Monster Week.”
That puts me at 5 years old and does coincide with the memory I’m about to recount.
I can’t remember the first Godzilla movie I saw. All I’ve retained to date are just snippets of memories from when I saw some of them during childhood. Let’s see if I can chart them here in this review before I discuss the blu-rays.
I was born in 1969 so throughout my childhood they were still making Godzilla movies. To start off here’s a quick rundown of the Godzilla movies and Godzilla-themed movies I saw: Rodan (1956) Mothra (1961), War Of The Gargantuas (1966), Atragon (1963), Godzilla Vs. The Thing (1964), Godzilla Vs. Monster Zero (1965), and Destroy All Monsters (1968), King Kong Vs. Godzilla (1962) and King Kong Escapes (1967). Excluding Atragon and Mothra, all those other movies I bumped into more than once. Something about them the local stations just loved.
To function, that is the key,
When designing Iron Sky we wanted to give the
film a distinct, unique look. But not just any
look—we didn’t want things just to appear on
screen and look good, but everything needed to
have a proper function, a reason to exist in the
world we see so carefully created.
Together with our Production Designer Ulrika
Von Vegesack, Concept Artist/Art Director Jussi
Lehtiniemi, our whole visual effects team, our
set construction team and prop teams, we created
a world which could exist at least in theory.
My vision for Iron Sky was always to walk the
thin line between the completely ridiculous and
the theoretically possible, visiting both sides
of the imaginary line every now and then, but
in general giving the viewers and impression of
an alternative history that could have produced
what the world of Iron Sky eventually turned
out to be.
Director, Iron Sky
(Page 1 of the Concept Art booklet
that comes with this version)
I was reviewing Knights Of Badassdom a couple of weeks ago and right after I put the disc in a trailer for this movie starts up.
“The Moon Nazis are back!”
When thinking of low budget, sci-fi, time travel films, one almost instantaneously comes to mind: Nacho Vigalondo’s Los Cronocrímenes (titled Timecrimes in the U.S.). An enthralling story, great acting, the director/writer’s first name is Nacho – basically, you can’t go wrong! It had a grandiose feel, with minimal budget and kept me on the edge of my seat throughout. At this point, you, dear reader, are probably thinking: “Jeez, they sure messed up the title of this review. This guy is talking about a completely different movie!” Don’t worry, I’m getting to it! Sci-fi and time travel CAN be messed up; countless films are below B-grade and more often than not, on the SyFy channel (though, they can acknowledge and use the cheesiness to their advantage). Director/writer Thomas Gomez Durham’s 95ers: Time Runners is an example of time travel gone wrong.
Before moving to New York, I, like many people in the world, had a picture of this city drawn by the romanticized portrayals of neurotic creatures of comfort in Woody Allen films. Sadly, that world isn’t very salient in reality. New York City has the same “normal” folks as anywhere else. It’s just that people like Woody Allen heighten aspects of it by exploring and psychoanalyzing the fears and desires of many wonderful characters.
I say, “People like Woody Allen,” meaning people like John Turturro, the mega man of indie film. Turturro explores the Woody Allen universe with the best possible guide, Woody Allen himself, in Fading Gigolo. The premise is very simple. In fact, the very first lines of the film have Allen’s character, Murray, proffering the idea that Fioravante (John Turturro) have sex for money. Murray would find the clients and take a cut. Fioravante, who makes a living doing whatever he can, barely stays afloat in an otherwise meager existence, and this idea slowly starts to sound appealing.
”You have questionable taste in women, my friend.”
I wasn’t familiar with the term, LARP, until I first heard about this movie last year. I actually had to look it up (L.A.R.P=Live Action Role Play), then I realized whom those people were that dress up in fantasy garb: Larpers (Live Action Role Players).
Like Ryan Kwanten’s character I too had been into Dungeons & Dragons at one point, for me it was a big part of my high school life, and also like his character I had eventually outgrown it. Out grown all role-playing games actually, but unlike his character I did not get into death metal music.
When creating remakes, there seems to be an inherent concern among filmmakers to not step on the toes of the original, while also remaining true to the core concept of their film’s cinematic predecessor. At times, those most familiar with the property will surprise us all by modernizing the remake, sometimes using their expertise to represent the original film almost identically. There’s a stroke of genius within that mindset which also functions as the film’s harshest critic — as if it’s the filmic equivalent of following in a successful parent’s footsteps, but veering off the path ever so slightly.
Patrick: Evil Awakens definitely feels as if it was bred in this vein, offering an entertaining and thrilling update on Richard Franklin’s Australian cult classic. Documentarian and Australian genre cinephile Mark Hartley plays surrogate to Franklin, all the while updating the beats of the story to accommodate the realities of this day and age. Luckily, Hartley’s approach is mostly effective, and from the apparent competence from his cast and crew, Hartley’s old school aesthetics and passion for the material keep Patrick: Evil Awakens from falling into irrelevance.
Cesar Chavez tells the story of one man’s struggle to protect field workers against the tyranny of corporate greed. It’s a biopic that I’m surprised hasn’t been made yet. I remember a time when biographic epics were a big deal. Ghandi swept the Oscars when it came out. We can’t forget Lawrence of Arabia before that. I guess you can throw the ancient history epics like Cleopatra and Sparticus in there too. I’ve never been all that enticed by the biography genre, unless you count Goodfellas and Mommy Dearest. The movies about well-known historical figures have never quite captivated me, because I assume they will fall short, and they usually do. You can only tell so much about a famous person’s life, and the stuff that isn’t a famed part of history can seem dull. I did like A Royal Affair, but that’s because it was so unfamiliar to me. The writing and acting in that were phenomenal in exactly the same way they weren’t in the movie Diana. I’m not sure what I expect from these films, but whatever it is, it generally isn’t delivered.
(Warning!! This review contains spoilers! Proceed at your own risk!!)
When that Marvel anime movie, Iron Man: The Rise Of Technovore, came out last April I had a hunch but wasn’t certain. In a couple of weeks they are about to release their second and now I’m confident Marvel is back in the animated movie business, one that started back in 2006 with Ultimate Avengers and ended in 2011 with Thor: Tales Of Asgard, and now begins again except this time they are anime-styled movies.
I have no problem with that since I’m a fan of anime.